• Method Studios VFX artists Ben Walsh and Randie Swanberg recently talked to Little Black Book about the invisible art of digital set extension. Check it out here.

    April 3, 2018


  • Engadget visited the OptiTrack booth at GDC to see how their Active VR system makes for a better user experience while playing location-based games like Arizona Sunshine: "This setup dramatically improves the player’s mobility…It really feels like you’re blasting your way through a Zombiepocalypse.“Check out their video recap here!

    March 23, 2018


  • Lots of big news from Epic Games at GDC this week! From amazing breakthroughs in digital humans featuring Andy Serkis, to real-time ray tracing with ILMxLAB and NVIDIA, to YouTube phenom Ali-A debuting new replay features for Fortnite, catch up on all the news here.

    March 23, 2018


  • We had a fun few days last week at SXSW checking out the screening of documentary “A Tuba to Cuba” at the Paramount, cut by Beast’s Dayn Williams, and hitting the Alamo Drafthouse to see some of Method Studios’ award-winning title design work!

    March 18, 2018


  • If you’ve binged Netflix’s Altered Carbon, check out PostPerspective’s interview with Encore colorist Jill Bogdanowicz and show post producer Allen Marshall Palmer about the show’s many distinct looks.

    March 14, 2018


  • Method’s Andy Brown and Todd Perry talk to Art of VFX about the studio’s incredible VFX work on Black Panther. Method was one of the film’s primary VFX vendors, with over 400 shots.

    March 6, 2018


  • One of our favorite Oscar moments from last night was seeing the Overlook Hotel-themed spot for the upcoming Academy Museum, directed by Biscuit’s Matt Dilmore. Read more about the spot at Adweek.

    March 5, 2018


  • Big congrats to our friends at Biscuit Filmworks for once again being named to the Ad Age Production Company A-List!

    February 20, 2018


  • Exciting news from our friends at Brickyard VFX: they’ve launched sister company Brickyard Filmworks, an integrated content creation studio that curates teams for projects of all sizes and platforms. Read more about the news on Stash.

    February 16, 2018


  • PostPerspective chats with Encore colorist Kevin Kirwan, the man responsible for coloring all (and we mean all) of Ryan Murphy’s TV shows throughout the years. Read the interview here.

    February 14, 2018