• We’re still beaming from last week’s GDC! Big announcements from Epic Games including the $100M Epic MegaGrants program, cocktails with Autodesk, and life-size VR Jenga with OptiTrack made for a fabulous show. Thanks to all our clients and friends for a memorable week.

    March 26, 2019

  • We had a great time this week at SXSW! Special shout out to the wonderful artists who shared their expertise on the panel “Designing Binge-Worthy Title Sequences for TV.” That’s a wrap!

    March 14, 2019

  • Two of The Flash’s major villains, King Shark and Gorilla Grodd, finally faced off in the highly-anticipated March 5 episode. Find out how Encore VFX Supervisor Armen Kevorkian and his team approached the supersized showdown in CG Society.

    March 8, 2019

  • Method Studios has welcomed Oscar-winning artisan Eric Brevig as Senior VFX Supervisor and Creative Director. Check out the news in The Hollywood Reporter.

    March 4, 2019

  • AJA Video Systems’ KONA 5 I/O card is the secret sauce for SGO’s Mistika Ultima’s cutting edge 8K broadcast workflow. Read more about it at StudioDaily.

    February 21, 2019

  • Digital Trends digs into the visual spectacle of Aquaman, the DC Universe’s highest-grossing movie ever, with the VFX team at Method Studios. Read more about their work here.

    February 4, 2019

  • This new 2 Chainz music video directed by Biscuit’s Andreas Nilsson is actually part of Expensify’s Super Bowl campaign. Find out more at Fast Company and stay tuned for a spot during the Big Game.

    January 28, 2019

  • Exciting news from Epic Games this week as they welcome 3Lateral, the leading developer of digital humans technology and content, to the Epic team. Read more about the news at TechCrunch.

    January 24, 2019

  • Adweek’s Ad of the Day today is this zany Barclaycard spot directed by Biscuit’s Jeff Low, featuring real-life small business The Crystal Barn. Check it out here.

    January 23, 2019

  • fxguide goes behind the scenes of Welcome to Marwen with director Robert Zemeckis and VFX supervisor Kevin Baillie of Method Studios, saying that the film has “significantly advanced the art of digital humans.” Read more here.

    January 10, 2019